the harshness of october has made me reflect on why we do love lists.
i have this image in my mind of stopping to use the bathroom at a tim hortons during a roadtrip (as i'm sure most canadians have done in their lifetime). i don't remember where i was going or whom i was with. it might have been around 2010. i do remember what song i listened to on repeat during the roadtrip — the cave by mumford & sons — and how happy i felt that i'd found a song i loved so much. i remember thinking: “i hope i never stop discovering songs that make me feel like this.”
it's been almost 10 years and i can safely say that i still regularly discover songs that make me feel the heady joy of oneness with music. it's a gladness of living and a burst of love. and i trust, i believe that i haven't listened to every good song currently in existence, that many good songs remain to be written and produced, that i will never run out of “new” good songs.
love lists, for me, are a celebration of the joy and love i feel for favourites new and old. they are a manifestation, a tiny proof that there is an abundance of things out there that i can love.
my wish for you is that you see love lists as such: as a reminder that the world is abundant in lovely things. maybe you don't feel it right now. that's ok. there are seasons for everything. resting is as much an act of love as sharing favourites or calling up a friend.
with love (and i mean it),
→ Bach’s Concerto in D Minor, II, Alexandra Stréliski’s interpretation (on spotify and youtube).
nadine: this month’s classical rec, a contemplative, melodic 5-minute piano-only piece (there is no orchestra accompaniment), fits well with the mood i perceive october to have so far. please check out Alexandra Stréliski’s other works (Pianoscope and INSCAPE) as well; they suit the increasing hours of nighttime beautifully.
→.i’m wide awake, it’s morning by bright eyes
gray: i’ve been feeling ummm..”sentimental for days gone by” (sorry, wrong bright eyes album), and in a result i’ve been trying to return to my high school faves. i’m always surprised at how well bright eyes holds up through the years and how i always feel like i can return to it. fave tracks: poison oak, road to joy
→ Le souper by Jean-Michel Blais, a short instrumental track from the Matthias et Maxime soundtrack (on spotify and youtube).
nadine: i recently saw Matthias et Maxime at the cinema; the soundtrack was my favourite part (and it won the Cannes Soundtrack Award). this is so delightful. sweet. gripping and soft at the same time. [note: the full soundtrack is available as of today! i haven't listened to it yet, though.]
→ all mirrors by angel olsen
Gray: angel olsen is always so so good and this new album really glitters. It’s a beautifully cathartic break up album with a dramatic string section that permeates the songs. fave tracks: lark, all mirrors
→ Initium (music video) by Keaton Henson
nadine: i think you may need to be “in the mood” to watch this (in the mood to watch the sea for nine minutes straight while listening to a slow orchestral piece, specifically), but what a mood that is. the music video is stunning. i gasped at some point. it’s like the sea was listening to the song too.
→ 30 rock
gray: the last great major network comedy
→ Games (lyric video) by Tessa Violet
nadine: Tessa Violet being amazing again, reminding us we deserve better.
→ radio silence by alice oseman
gray: a very sweet YA novel about school, expectations, and friendship. literally cannot recommend it enough; it made me smile, it made me cry, and it made me feel almost every emotion in between.
→ the moon asks a question, a comic made by purutsukid from dirgewithoutmusic’s short story.
nadine: a quick, easily-accessible must-read for anyone who’s ever wondered if what they felt “qualified” as “love.”
→ gray: london fog latte. why is psl the official autumn drink and not this? messed up!
→ nadine: lots of tea. my kettle broke, so i got a new one. it’s slower to boil. i think that’s a great thing.
→ gray: i am trying to consciously recognize how the things i do may affect others, especially when it comes to my job. just want to make sure i am not a major source of stress for anyone!
→ nadine: i’ve been thinking about so many things. what connects it all? there is always a connection. maybe it’s love.
what about you? what's making life worth living lately?
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i have a (relatively) new nightly ritual: i stand at the sink, facing the old glass block window, and i wash the day's dishes. it's a gift i make every night to my tomorrow-morning self. in return, i get to use that lavender dishsoap i like so much.
the other night, like many nights before, i had both hands plunged in warm soapy water. my fingers brushed cutlery and damp crumbs as the lavender-scented bubbles hugged my forearms. i cried. again. i've been crying a lot in the past month or so.
this, i thought to myself then, is an image of growth.
i've been crying so much because my life feels like a mess, like a shapeless heap of wooden sticks after i just removed one too many pieces of the Jenga tower. i removed the cruel-to-myself piece. i removed the unable-to-voice-my-expectations piece. i removed the unable-to-reach-for-support piece. i removed the skewed-priorities piece.
i've been getting to know myself better. i've been learning to express myself and connect with loved ones better. and i make mistakes and i slide backward and i do a lot of crying. it's all growth.
it's hard when you realize your life is not the right size for you anymore. it means you need to change a lot of your surroundings and activities. sometimes change is soft, gentle and heartwarming, like when i'm done doing the dishes at night and i mix warm oat milk, cacao powder and honey in a carefully-chosen cup, and i light candles in the living room. other times, though, change is loud, sudden and painful. the Jenga tower falls.
i quit school.
let's not talk about that.
instead, let's talk about how i have more energy to dedicate to reading. i've been reading J.D. Salinger's Raise High the Roof Beam, Carpenters and Seymour: An Introduction for the first time. i picked that book to read because it was a gift from my sister, who bought it for me years ago because i'd read and liked The Catcher in the Rye years before that, and it spent a long time sitting on my bookshelf.
Raise High the Roof Beam, Carpenters, especially, felt rejuvenating to read. it made me laugh so much, and everything was so vivid, and by the time (very mild spoiler) the narrator started reading his older brother Seymour's diary, i couldn't close the book. in a poignant, painful way, i saw myself in Seymour (please note i hadn't read Seymour: An Introduction yet), but i couldn't understand how he could be so magnanimous and compassionate.
for example, Seymour's girlfriend's mother insists on trying to psychoanalyze Seymour. she goes so far as to invite her psychoanalyst to dinner with Seymour and her family. i don't know how that sort of thing went in 1942, but it would never fly in 2019 with me.
in his diary, Seymour discusses how he thinks his brother (the narrator of the story), would view his girlfriend Muriel's mother.
He would disapprove of Muriel's mother, too. She's an irritating, opinionated woman, a type [he] can't stand. I don't think he could see her for what she is. A person deprived, for life, of any understanding or taste for the main current of poetry that flows through things, all things. She might as well be dead, and yet she goes on living, [...] plotting for Muriel's health and prosperity. I love her. I find her unimaginably brave.
that quote hit me hard. i guess i read it at the right time in my life. it made me think. in a few notebooks, i wrote "i want to be so full of love that i see it in everything." it's a work in progress.
sometimes i feel more like the child i saw at the breakfast restaurant on canadian thanksgiving, last monday. a girl, maybe 7 or 8 years old, with quirky pink glasses, slid in the booth next to mine with her parents. i noticed her because she was pouting, frowning. soon i noticed her again because she angrily slammed aside the page she had been drawing on.
she grumbled: "it's not working." the page was glossy: i imagine it was some kind of durable plastified paper you can use markers on and later erase, but i might be wrong. i'm not exactly up-to-date on popular art supplies for kids these days.
i brought my attention back to the discussion at my booth, but again, i noticed the little girl. from her backpack, she slid out a notebook filled with drawings.
we — the dreamers — the ones who carry notebooks when only a phone would do — that little girl, me, maybe you too — we tend to feel disappointed when what we put on the pages of our notebook doesn't match what's in our head.
something that struck me in the 7-year-old artist i saw at the breakfast restaurant that day was that between tantrums, while she was drawing, there was a small content smile on her face. drawing made her happy — until it made her throw tantrums. but mostly, i think drawing made her happy. i saw it in the way she took her notebook out of her backpack, with love and care.
that's how i want to go on. because there will be tantrums. but if there's also contentment, love and care, maybe it won't be so bad.
does it feel like fall to you? does it?! does it!! nope, not here either. not to worry. our playlist is the perfect transitional track list, we have good books to keep you occupied while you wait on the weather, and some internal fall cleaning for you to think about. hop aboard!
→ The Lark Ascending by Ralph Vaughan Williams.
nadine: this month’s classical rec honestly sounds like a flying bird. a bit like the end of summer, too. the other day, i sat in the kitchen with the window open, listening to this song, and birds sat on my balcony, near the window. i had fun imagining they were listening.
→ pony by orville peck
gray: i don’t have much to say about this album other than it’s a vibe. like. a big mood, if you will? i know that country is weirdly trendy right now and this is my favorite thing to come out of that so far. fave tracks: roses are falling, buffalo run, take you back (the iron hoof cattle call).
→ mirror by IDER
m: “people love, people leave, people let down / people show up, roll up, people grow up / people move out, people disappear / people don't change, people rearrange / people miss the game, people lose / people try, people lie, can't look you in the eye..” really feel like the alternative title should be: “congratulations, you’ve arrived in your mid 20’s, now cry.”
→ Norman Fucking Rockwell! by Lana Del Rey
nadine: i’m trying to think of something to write that isn’t “?????? so good????” but i can’t. this is my favourite Lana Del Rey album yet.
→ three futures by torres
gray: a dark, sexy, heartfelt album. right now, i’m using it to get into october autumn mood while its still 90 degrees summer september out (and it’s working). fave tracks: skim, bad baby pie, three futures.
→ till now by BANKS
m: this song sounds like if love was cough medicine. awful and intoxicating, for all your raging but still love drunk moments. the production to BANKS’ latest album is wild. makes altpop feel very dark and syrupy.
→ this 5-minute vlog set in a cabin in the woods in october.
nadine: please, pause your life for a few minutes, make yourself a hot beverage, and watch this. it’s the little things.
→ legal immigration by jon oliver
m: this is great primer on legal immigration in the usa and how this impacts our view of illegal immigration. considering the state of things (did you know Trump wants to ban all refugees’ entrance into the usa by 2020?), this is something that needs to be on your radar.
→ nadine: my friend sent me this post and it was the final nail in the coffin of the illusion that “neediness” exists.
→ girl made of stars by ashley herring blake
gray: big fan of this book! the plot wasn’t exactly what i was expecting and the characters annoyed me a little, but all in all i think this is a super important book and i wish it had existed when i was in high school.
m: can confirm. read this one.
→ serpent and dove by shelby mahurin
m: o. my favorite trope, enemies forced into close proximity… enemies to lovers... (in this case, a witch hunter is forced to marry a girl who is secretly a witch!!!!!)... this is addicting. funny. slow burn steamy. thoughtful. perfect? thanks for the face journeys.
→ too much cold brew cause i found out i get a discount at the coffee shop next to my work :/
(see also: see also, the starbucks pumpkin spice cold brew is actually so good.)
→ m: who will i be in a post trump america? i can assure you that i am a different person than before this presidency, and not all of this is due to the passing of time; i am an angry, worried person full of lingering dread, repeatedly fighting a feeling of devastation. i curse a lot more often, because those are the only words i got. i keep wanting to apologize for saying any of this, as if i am being too dramatic. i am not. i'm more confident speaking up for myself, others, and my beliefs. i sleep more often during the day. i'm usually at least a little pissed off, but increasingly inspired and empowered by those in the Jewish community's #NeverAgain, and women in politics like AOC. i am extremely tired and afraid for many people, but more driven to dream and learn. i am proud of my friends for their advocacy work, poems, and/or resilience with their loved ones. i am thankful for much and do not want to lose this. this isn't to thank this era, but to say fuck you, donald trump. this is not the dream of adulthood i'd envisioned as a child. this is to say protests are the closest thing i get to church nowadays. i like the way poets raffle their books to raise money for children's lawyers at the border. i like the way we have protest sign collections in our cars. i like our collective desire to resist and fight for diversity and peace. but fuck trump. i don't want to remain this person swathed in dread and angst. i want to stay soft.
→ nadine: i’ve been doing a lot of pruning in my life. how can i do less of what is feeding the parts of me i don’t want to feed? for me, this month, this meant leaving all social media for good. doing a lot of letting go. it’s never easy to let go. through moments of anger or sadness, i asked myself: what can i do now to take care of myself? writing down the answer to this question and actually doing it felt even better than i thought it would.
when it comes to leaving social media, pruning is only one side of the coin. the other is love. i was fortunate enough to receive a lot of love this month! from people around me, from myself. receiving love has taught me to love more and better; it has taught me my value and the value of my needs.
what about you? what's making life worth living lately?
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There is nothing more humiliating to me than my own desires. Nothing that makes me hate myself more than being burdensome and less than self-sufficient...I had arrived in my thirties believing that to need things from others made you weak. I think this is true for lots of people but I think it is especially true for women. When men desire things they are “passionate.” When they feel they have not received something they need they are “deprived,” or even “emasculated,” and given permission for all sorts of behavior. But when a woman needs she is needy. She is meant to contain within her own self everything necessary to be happy.
To paraphrase, the crane wife stays up all night to pluck out her feathers, to hide that she is a bird, a creature both capable of flight and requiring care. "To keep becoming a woman is so much self erasing work. She never sleeps. She plucks out all her feathers, one by one."
I know I am not the only one to whisper, "Ope," embarrassed for being so recognized. So what do we do with this vulnerability, with this deep want? I see two paths for myself: first to unsurface the origin stories for this sense of shame and responsibility, the stories we collectively share, and the ones that are my own, and to learn to thirst, to learn to articulate desires. First of all though, we gotta realize that this is okay... Contentedness is a means to appreciate, but does not discount desire and drive. That desire is taboo, in the truest sense of the word:
For example, I wrote earlier about Polynesida, and how the word "taboo" comes from "tupua" (or "tapu"), which means menstruation, but the most common translation of "tapu" is actually "sacred."
So there it is. Yeah, we know desire, and expressing desire, can feel taboo- silly and wrong and shameful and unnecessary and too much- but we gotta remember that the word also means sacred. Want is not evil. It can be sacred. Desire can show us a path to who we want to be. Desire can drive us to pleasure and love and gratitude. But how do I get there? It is all unlearning and learning again. Where am I ashamed? Why? Where can I steep myself in materials that give me space to want and articulate such desires?
I am not asking you to delve into manifestation... only to acclimate yourself to who you are, and where you want to go. You usually aren't a danger to yourself. Hear what you want. Dig into it.
Without further ado, following is a list for learning to desire, and to speak.
Resources for Desire
Go in peace x
summer is over, and i think it's time i break my silence here and post something.
i was caught in an inner whirlwind of healing. at the time, i couldn't fully make sense of what was happening. i couldn't see the overarching theme in my growth. all i knew was that come the end of the summer, my nesting instincts (which i hadn't known i even had) were kicking in at full force. suddenly, i knew exactly what kind of "nest" i wanted for myself.
i've been working on myself with much dedication for a long time. i trace it back to three years ago, almost day for day. i was 24. i'd spent the three years before that as a shell. i have almost no memories of the years i was 21, 22 and 23. the other day, i saw a picture of myself from that period and i literally did not recognize myself. i squinted and said: "who... what... is that me? i had that hair?"
yesterday, for no discernable reason, a memory from that time popped in my head: i remembered the lemon cookies i used to make when i was 22. i remembered the sweet lemony taste and the perfectly soft and chewy texture. honestly, i think that was my first time remembering something from those three years that i didn't want to burn out of my brain.
i remember loving those cookies so much because they felt like the one thing i could do right. i felt powerless — most days, all i ate was peanut butter on toast and all i did was lie on the couch and watch the sky darken — but some days i could manage those cookies. for a few minutes the cookies made my roommates happy and that was the best i could ask for.
all that and much more was over by the time i turned 24. the question "why?" was plaguing me, as it had over the three years prior. why? why had all that happened to me? i set forth on my journey to try to find an answer, because without an answer, how could i know for sure that it wouldn't happen again?
anyway, fast forward. 24 to 27, three years of zealous introspection. i studied anything that might help explain my experience of shellness: several personality typing systems; possible alternate/additional diagnoses; queer identities; different topics in fields such as psychology, personal development and spirituality...
results were few, far in between, and often short-lived. i think i considered 9 different myers-briggs types and 6 different enneagram types, among other things. it was a confusing time.
in 2019, and especially the past summer, i started seeing results at a much higher pace.
using the enneagram for a bit because it's easier
turns out....... i'm a 4.* that's enneagram talk. i don't want to start explaining the enneagram or even guiding you towards resources because whenever i start i have a hard time stopping. but i'll try to condense it infinitely: the enneagram splits people in 9 types (numbered arbitrarily 1 to 9) according to the main threat they perceived in their environment as children and how they managed to cope with that threat. "4" is a type.
the most important thing i absolutely want to stress to anyone reading about the enneagram is this: you may get the impression that the enneagram is a self-flagellation session that makes you realize what a terrible person you are. please allow me to shift your perspective on this: all enneagram types embody equally good ways for the young psyche to protect itself from perceived threats in the environment. we all have an enneagram type. that's good because it means we were brave enough to find ways to protect ourselves and make it to adulthood.
however, these protections inevitably backfire in adulthood. all of them. there's no type that backfires more or less than the others. learning about your enneagram type is helpful because it helps you say: thank you, subconscious, for protecting me the best you could; now, it's my turn, and i will protect myself in healthier ways that will allow me to grow and become a better person.
that's so important to understand. we all hate our enneagram types at first (if you don't, you're probably mistyped), but it's important to grow past that and find space for gratefulness and acceptance.
now, type 4. 4s, when they were hurt in childhood, used the explanation "i was hurt because i am bad and unlovable" rather than see the world around them as mean-spirited. this way, 4s developed a vision of themselves as impossible to love and lacking in everything. nothing can ever redeem them. because they believe themselves to be unlovable, 4s both fear being abandoned and somehow unconsciously want to be abandoned (because it will confirm their worldview). 4s put a lot of emphasis on emotions: their own and others'. they daydream of happiness, and they envy others, especially those with "simple" lives, but they are so convinced that they are too broken or complicated to be happy that they sabotage their wellbeing in different ways.
something that clued me in on the possibility that i might be a 4 was when i got the feedback from someone who knows me well that i was (wrongly) convinced i wasn't important to other people and that i was never satisfied.
the way 4s experience these patterns in everyday life changes vastly from one instinctual subtype to the next. i've heard them described as the glad 4 (self-preservation subtype, sp4), the sad 4 (social subtype, so4) and the mad 4 (sexual subtype, sx4). for example, imagine three toddlers who want to get their needs met by their parent. the first one behaves as well as possible and hopes this will attract the attention, love and approval of their parent (sp4). the second one starts crying and talking about how much they are hurting and lacking (so4). the third one throws a tantrum about how everything is unfair and it's all their parent's fault (sx4).
even as adults, 4s have a hard time directly asking for help and, especially, for love. instead, they are consumed by envy, and they end up acting out that envy by masochistically enduring (sp4), vocally complaining (so4) or angrily demanding (sx4). of course, in real life, most people aren't just one subtype. they have a dominant subtype, and a second one, and one they use the least. my conclusion is that i am a sp4, though i do tend to reach for anger like sx4s from time to time.*
(note: my main/favourite source of enneagram information is The Complete Enneagram by Beatrice Chestnut.)
end of enneagram talk
ironically (or not so ironically), what helped me find my enneagram type in the end was to focus on healing for a while without thinking about the enneagram too closely. i did my introspection challenge as well as the 12-week challenge presented by Julia Cameron in her book The Artist's Way. that's what i've been doing all summer.
after a while of this introspective healing, i reflected on what was helping me the most. by analyzing these helpful techniques/paradigms, i kind of reverse-engineered what i had started out most needing.
the most helpful change i have instated in my journey is self-nurturing, hands down.
unsurprisingly, it turns out that not asking for support is the best way to not get support! it also turns out that beating yourself up all the time about everything is helpful in absolutely zero ways.
halfway through The Artist's Way, Julia Cameron presents the affirmation: "treating myself like a precious object will make me strong."
self-nurturing means i am taking over the role of being my own parent. for a long time, the idea of having to "parent" myself made me feel sad and lonely. now, it feels comforting because i trust myself more. it's honestly so comforting to know you have someone there who will always give you what you need.
like, i need to take a day off? i take a day off. i need warm tea with oat milk and honey? guess what, i have warm tea with oat milk and honey. i need to feel like my emotions are valid? surprise, i validate my emotions. my cluttered kitchen counter makes me feel overwhelmed? i do the dishes and, not thirty minutes later, i can breathe easier.
i'm so thankful for the care and support my parents have provided me with, and for what they still provide me with. but no matter how hard they tried, they weren't perfect. i understand why i didn't receive some fundamental forms of care, and i forgive my parents — and myself — for that. now, it's my job to "parent" myself. i can give myself whatever forms of care i need. the best part? i don't even have to ask.
that being said, learning to ask for support is still important. it's something i'm in the process of doing. i am trying to cultivate friendships where we both welcome the other when they ask for support.
i used to recoil from self-nurturing for different reasons, the most important of which being: i thought self-nurturing was selfish.
here's what trying out self-nurturing taught me: true self-nurturing is the least selfish thing one can possibly do. the more i nurture myself, the more caring and loving i am towards other people and the world. i get less angry. i listen more. i am more present. i adopt more eco-friendly habits. i love without worrying that i will not get love back.
asking for support has a similar consequence: the more i ask for support, the more comfortable others seem to be asking me for support.
there is simply more love to go around.
maybe it's no coincidence that the memory of the lemon cookies popped in my head yesterday. because that's love, too. i made them because i loved them. because my roommates loved them and because i loved my roommates. because for a while something was stronger than hopelessness.
love, my friends. it's abundant and you deserve it.
*edit (2019/11/11): i am no longer under the impression that i'm a 4. regardless of whether or not i am a 4, everything else i wrote here still stands. i especially want to repeat how important i think self-nurturing is! whatever my enneagram type is, self-nurturing changed my life.
alt title ideas: "the unbearable void of my personhood" "tales of the goalless" "identity who? i don't know her."
i think that at one point, i had a direction. maybe, a long time ago, i had a vision of a future. this isn’t a sad post™, and i’m actually doing pretty well recently. but i guess i’ve just been really confused.
in may, i started a new job (probably why i haven’t posted on here since). it’s a retail job, so in no way is it the ~ dream job ~. but lately i’ve just noticed that i have no idea what my dream job would be. i think i was passionate about something once, but what was it? where has it gone?
some of my coworkers are starting back up at school for the fall semester. my manager asked me if i was back. no, i graduated over a year ago! i replied. good for you! she said. but really, is it? when i’m not any further away from school as i was on graduation day?
i went to school for graphic design. i like it well enough, but can i imagine myself doing it forever? i don’t think so. should i have realized this earlier? yeah, probably. but in reality, hindsight is 20/20 and i’m a much different person today than i was in june of 2018.
i think i’ve always been directionless. when i was young, i never had an answer for the question of what to do when i grew up. you can be aimless when you are eight. but it is less acceptable when you are sixteen. so i figured out something that i already knew i was good at and latched onto it as an identity. i never really gave myself time to reconsider. i was really young then but i felt like i had to be old. i didn’t feel old but i acted old. i am twenty two now and can’t believe that i was so afraid of the unknown. i don’t know anything now. is sixteen year old me worried for me? their feet are set into cement blocks and i walk freely.
i walk freely but it is an aimless and tired stroll. i’ve been trying to decide what the terrain is recently. some days it feels rocky, uphill and dense; others it is smooth and barren. if these exist within my mind, i think they are equally bad. this feels unrelated, though. the real question is who am i? not where am i walking? i’m suspicious that less people know than i think, they’re just better at pretending.
i think summer is hard for me. blushed pink in the sun and wet skin is enjoyable, but deep down it is not me. will direction return to me in autumn? only time may tell, but the fact that i’m actually writing this may be a clue.
the real problem is simply, how do i know who i really am? i like a lot of things. i like to write and read. i like to walk, to listen to music. i like to lay on my floor and think. i like things that a lot of people like. i even like graphic design. other people turn these into identities but i’ve been struggling with that. identities run from me in all senses, they are all slightly out of my grasp. maybe my identity will be my evasion of identity.
i’ll be honest, part of me feels stupid and naive for talking like this. there is always a part of me that tends to not believe a single thing i say. but here’s the thing: i am still young and i will take that for granted as long as i can. i will continue to think about this and read new things and continue to learn until something really clicks. soon, i will start to look for a place that feels right. i used to feel like time was running out, and i had to make all my final decisions and plan out my whole life. but if the last year has taught me on thing, it is that there is time enough for all of us.
this was rambly and weird! sry! good to be back tho :) xoxo.
It's September first. I feel as though it was the last day of August for five whole days, like July had been ending for the entire month. But we're here now, and I'm relaxing my shoulders and tuning into the softness of my jaws, windows open, feeling more awake than I have in a while.
We've been quiet in this space, and I know it. We've been traveling, exploring, reading, thinking. Here, we may have been quiet, but I know in our minds, hearts, and bodies, we've been anything but. I think you have too; Whether or not we acknowledge it, we continue to shift and grow with the passing of time, and I hope we do pause to acknowledge this. We've all just been constantly learning to be human. Constantly creating ourselves. Because here too is poetry: there is beauty and interest and softness within the way we think and decorate and become. Isn't that poetry? A saturated exploration in humanness? It's a practice, endless. Did you see the way a specific theme floated through your being to the surface of your mind? Suddenly, you saw connections? The flow and the web? There is poetry in the connections. There is poetry in the mundane, because it creates space for us. I could cry going to the grocery store for the seventieth time this year, or I could soak it in and allow my mind to go forth and explore where I am, and connect an article to a song lyric to a chapter in a book to the way that I view my body. And so I have learned something, mind wandering looking for oat milk.
Especially important when you come back from a mind blowing trip and have to sink back into regular life in a midwest city. Ha. How am I human in all settings? Especially important when shootings dance across our headlines and twitter trends once every two weeks, when we are caught between hopelessness and a deep aching hunger to heal ourselves. How am I still human when I am suffocated beneath first anger, then fear, then... nothing. Numb. Gone.
How many times do I become nothing at all? How do I come back from it?
I haven't written as much poetry lately. I am trying to accept that sometimes I don't have much to say, and it is okay. In this acceptance, my brain has been steeping. I got some things to say now.
When I am nothing, when I have nothing to say, something the practice is in the feeling of it. Just curled up in bed, exhausted, quaking, watching YouTube and YouTube and YouTube and YouTube. The practice is the interruption of a Facetime call leaving us giggling. Staying out late and eating Olive Garden and losing the breath laughing over salad. Editing pictures of that time you felt so alive and safe. Making the playlists. Inhaling jasmine and tangerine oils. Copying song lyrics when all other words evade you. Taking notes on the podcasts and articles and dusting off your origin story. Discovering the origin of a word, so construed. Re-understanding yourself. Putting on lotion or taking a picture when you feel as though your body is an enemy you are bound within. Sun soaking. Wrapping your palms around a hot mug.
I'm not a practiced person. I don't have the energy to maintain a daily routine of reading and journaling and meditating and stretching and loving. But I kind of am. Everything we do has room for the intentions. Room creates room creates room, even if we're cuddled up in the corner and haven't ventured outwards. We will.
And there is time to be quiet, and there is time to say what you mean. We'll wait for you, and we thank you for waiting for us.
Don't forget to live that life you have, and to think it through. That too is creation. That's poetry too.
Namaste, see you soon,
hello, and congratulations!
you've made it half way through summer and august. i feel absolutely torn: do i want to be cozied up in a sweater and flannel and leg warmers with tea, or do i want to remain half naked sprawled out next to a pool or ocean, steeping in the sunshine? i have no clue. but i am positive that your girl powered playlist will thrive this month.
enjoy! do let us know if there's anything in particular we need to sink our teeth into x
→ Vivaldi’s Summer (first movement; find all three in order here)
nadine: this month’s classical rec. if this doesn’t sound like august, i don’t know what does. summer, waning, but still shining frighteningly bright.
→ At Now by Anna Nalick (2017)
nadine: i must’ve listened to Breathe (2 AM), Anna Nalick’s hit song released in 2004, at least a few thousand times. recently, i learned that Anna Nalick is still making music --- and it’s so good. this album is changing the way i feel about music-making, about getting older, about what makes music good. Breathe (2 AM) is a difficult song to “top,” objectively, in terms of numbers, especially for an indie artist. it would also be difficult to write something catchier or more poignant to so many people. At Now doesn’t give the impression of desperately holding on to what made Breathe (2 AM) work. on the contrary, it’s honest, authentic, and artful. do you remember (have you ever experienced it? i may be too old) the magic of buying an album at the store, putting it on, and listening to it from start to finish, in order, and it being a delight? loving the album as a whole maybe more than for its individual songs? this is it.
→ stranger in the alps by phoebe bridgers
gray: this album has been a favorite of mine for a while, but for the last two weeks i’ve been especially into it. the cover of tom petty’s “it’ll all work out” has especially been a late summer-kinda sad-nostalgia mood recently. fave tracks: killer, chelsea, you missed my heart.
→focu$ by rimon
m: the video is beautiful. the sound even more. pairs well with becoming yourself, even when it hurts. "had a tough time / but don’t let it mark you / you don’t need no one / to comfort yourself, embrace yourself."
→ if only there was a river by anna st. louis
gray: this album has more of an early autumn vibe than a summer one, but i think i’m just so over the heat that i’m doing everything i can to will the autumn weather to come sooner. these songs make me feel full and empty (in a good way) at the same time. fave tracks: water, paradise.
→ skin & earth acoustic by lights
m: Lights wrote and illustrated a comic book under the same title, and then created a soundtrack, yet she didn’t stop at these feats. no, Lights then recorded acoustic versions of the soundtrack within the actual settings of the comic. that is, when a song is set to play in a tunnel, she records it in a tunnel. or a cliff. or outside in the rain at midnight. the resulting album and videos are magical.
m: this Netflix docu-series based on the New York Times column of the same name is both heartbreaking and incredible. patients with mystery long term illnesses are able to present their story and files online, and follow leads submitted by readers. you’ll be wiping your eyes in no time.
→ the song of achilles by madeline miller
gray: my goodreads review of this is simply “*prolonged screaming*” and i stand by this
→ fruit of knowledge by Liv Strömquist, translated by Melissa Bowers
m: this one took me a long time to get through. extreme sexism does that to someone. that being said, this comic needs to be read, and i don’t care what gender you are… read this history and analysis of the pussy. how has it been viewed through history and science? what about periods? read it !!!!
→ Satoko and Nada by Yupechika
m: these short mangas follow two international roommates in an American university, Satoko, a Japense girl, and Nada, a muslim girl. they, and the reader, have so much to learn and celebrate as these three cultures intersect.
→ water. remember to stay hydrated, readers! we’re nearly through the hot season….
→ nadine: what are your stories and how are they beautiful? what are the stories of your loved ones and how are they beautiful? a suggestion: take the time to ask someone you love for a story and listen. you won’t have to find the poetry of it; the poetry will find you.
→ m: “desire is just information,” says Jamie Lee Finch. what do i want, and why? how do i feel about this, and why?
→ m: i recently took a trip along the Oregon coast, and it was absolutely stunning and mind blowing. every day and every moment felt like utter magic, whether the sun played over my books driving through forests, wild horses sipped the river, or whales spouted in the ocean. i fell in absolute love. coming home though this begs me to dig my way through disappointment into every day wonder. what do i love about where i am in any moment? which senses are engaged? where can i find contentedness within monotony?
what about you? what's making life worth living lately?
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I've been feeling a bit more alive lately, and I can't tell you exactly why, but I can tell you about small wonders recently:
> The nights and mornings are suddenly much cooler,
> and the owl has returned to their perch outside my window, hooting.
> The Owl and Bone August tarot challenge has stoked both my honesty and vulnerability. I am learning that it is okay to want things... passion = direction!
> The dad happily telling his son how awesome the library is. He just said, "All of this is just stuff and things until you realize how important it all is. So dig in. The library is so awesome." My librarian heart exploded!
> Steve. Harrington.
> This dog made me cry tears.
> The Turkish brew coffee using hot sand. The world is magical.
>And the reason I'm here... poems and poems and poems! Words keep stumbling into my way lately, and snagging my breath. Following are some quite short, but so saturated poems for your every day grief, astonishment, and political disenchantment. Take a sip. Enjoy.
Have a lovely weekend. Stay hydrated and connect with the earth somehow.
If you drag your feet leaving the world of Stranger Things, allow me to cure your ST hangover. Whatever your favorite part of Stranger Things, there's a book here for you. Do you crave something creepy? Nostalgic? Girls fighting monsters? Youth solving mysteries? Here's your next binge list.
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